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Hadestown Tickets

Hadestown (Walter Kerr Theatre), New York, USA
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Available Dates: 25 - 29 Nov, 2025 (7 events)
Important Info
Type: Musical
City: New York, USA
Duration: 2h 30min with 1 interval
Acts: 2
Intervals: 1

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Cast
Performers
Choose the date to see the peformers
Creators
Composer: Anaïs Mitchell
Choreographer: David Neumann
Lyricist: Anaïs Mitchell
Playwright: Anaïs Mitchell
Director: Rachel Chavkin
Overview

Welcome to Hadestown, where a song can change your fate. This acclaimed new musical by celebrated singer-songwriter Anaïs Mitchell and innovative director Rachel Chavkin (Natasha, Pierre & The Great Comet of 1812) is a love story for today… and always.

Winner of eight 2019 Tony Awards, including Best Musical and the 2020 Grammy Award for Best Musical Theater Album, Hadestown intertwines the Greek myths of Orpheus and Eurydice, and King Hades and his wife, Persephone. Written by acclaimed singer-songwriter Anaïs Mitchell, the musical was conceived as a folk opera. Mitchell teamed with innovative director, Rachel Chavkin, to transition the work into a full stage musical. Hadestown premiered at New York Theatre Workshop in 2016, where it was extended due to popular demand. The production went on to celebrated runs at the Citadel Theatre (Canada) and the National Theatre (London) ahead of a Broadway transfer on March 22nd, 2019. The recipient of numerous awards and nominations, Hadestown is a unique theatrical experience that offers a message of love and hope.

History
Premiere of this production: 30 November 2005, Barre, Vermont, USA

Hadestown is a musical with music, lyrics and book by Anaïs Mitchell. It tells a version of the ancient Greek myth of Orpheus and Eurydice, where Orpheus goes to the underworld to rescue his lover, Eurydice.

Synopsis

Act I

The story begins with the Greek God, Hermes, introducing the characters (“Road to Hell”). This is followed by the Fates and Eurydice describing the harsh weather and famine of the setting (“Any Way the Wind Blows”). Orpheus, Hermes’s ward, introduces himself to Eurydice and asks her to marry him (“Come Home With Me”). Eurydice, however, is doubtful, since they both live in poverty. Orpheus tells her that he is writing a song to make spring come again, and they will no longer have to struggle (“Wedding Song”)

Orpheus sings the story of Hades and Persephone (“Epic I”). Persephone arrives in the world above and celebrates summertime (“Livin’ it up on Top”), while Eurydice truly begins to fall in love with Orpheus (“All I’ve Ever Known.”). Hades comes early to collect Persephone, and she voices her misery of having to return to Hadestown, Hades’ underground factory. Despite hearing about the never-ending labor endured by the factory workers, Eurydice is intrigued by the rich praises sung by the Fates as well as the promise of protection that Hadestown offers (“Way Down Hadestown”). Without Persephone, the long winter returns and Eurydice searches for food and firewood, urging Orpheus to finish his song (“A Gathering Storm”). Orpheus continues working on his song (“Epic II”), while Persephone and Hades argue (“Chant”).

Hades leaves his factory to find someone who will appreciate its safety and security. He comes across a desperate Eurydice, and invites her to come to Hadestown (“Hey, Little Songbird”). The Fates appear and urge Eurydice to join him (“When the Chips are Down”). With the cold surging on, and Orpheus’s song remaining uncompleted, Eurydice sees no other option except to follow Hades. She sings her goodbyes to Orpheus before disappearing. (“Gone, I’m Gone”). Orpheus discovers Eurydice’s disappearance, and becomes determined to rescue her from Hadestown. He sets off on his journey using Hermes’ instructions on how to get there without the use of Hades’ train (“Wait for Me”). Eurydice arrives in Hadestown and signs the contract, officially becoming a worker. (“Why We Build the Wall”).

Act II

An entr'acte reveals that Persephone is bypassing Hades’ laws by selling wind, rain, and sunshine to the workers (“Our Lady of the Underground"). Eurydice begins to realize the consequences of her choice to go to Hadestown: she will soon become a mindless laborer and can never leave unless Hades consents to let her go (“Way Down Hadestown (Reprise)"). She sings of her regrets as her memories of the world above slowly begin to fade (“Flowers”).

Orpheus arrives in Hadestown, and promises Eurydice that he will take her home with him. While Eurydice is relieved, she explains to Orpheus that she is not able to leave (“Come Home with Me (Reprise)"). Orpheus does not understand, until Hades appears and reveals to him that Eurydice willingly signed the contract (“Papers”). The workers then attack Orpheus and the Fates tell him to give up hope (“Nothing Changes”). Despite almost giving up, Orpheus vows to find a way to free Eurydice, rallying up the workers and opening their eyes to the true horrors of Hadestown (“If It’s True”).

Persephone is inspired by Orpheus’ determination and urges Hades to let Eurydice go (“How Long”). While the workers begin to truly question the amount of freedom they have, Hades bitterly offers Orpheus a chance to sing his completed song, threatening to kill him afterwards (“Chant (Reprise)"). Orpheus sings his song, reminding Hades of his love for Persephone (“Epic III”). The two gods reconcile through a dance, after which Orpheus and Eurydice promise to stay together no matter how hard (“Promises”). Orpheus asks Hades if they may leave, and Hades tells him that he has not reached a decision. The Fates taunt him for his dilemma: If he kills Orpheus and keeps Eurydice captive, they become martyrs, but if he lets them go, he loses control over his workers as they have begun to agitate for their freedom (“Word to the Wise”). Hades decides to let them go on one condition: Orpheus must lead them out. If he turns to confirm that Eurydice is following him, she will be condemned to stay in his factory forever (“His Kiss, the Riot”).

Hermes explains the condition to Orpheus and Eurydice, and they begin heading out with the workers looking to them for hope, while Persephone and Hades decide to give their relationship another chance (“Wait for Me (Reprise)"). Orpheus makes it up to the end, where he is overcome by doubt and turns around, sending Eurydice back to Hadestown (“Doubt Comes In”). Hermes reflects on the somber tale and why it must be told. (“Road to Hell (Reprise)"). After the bows at curtain call, the cast raises a cup to honor Orpheus (“We Raise Our Cups”).

Venue Info

Hadestown (Walter Kerr Theatre) - New York
Location   219 West 48th Street

The Walter Kerr Theatre is a Broadway theatre located at 219 West 48th Street in midtown Manhattan. Being one of the smaller Broadway houses in the Theater District, the Walter Kerr seats 975. The musical Hadestown was opened at the Walter Kerr in April 2019. As of 2023, it is the longest-running show in the theater's history. Hadestown intertwines two mythic tales — that of young dreamers Orpheus and Eurydice, and that of King Hades and his wife Persephone — as it invites you on a hell-raising journey to the underworld and back.

Designed by Herbert J. Krapp for the Shubert family, it operated as the Ritz Theatre from 1921 to 1990. In 1990, the theatre was named after Pulitzer Prize-winning New York Theatre critic Walter Kerr, and since 1980 has been owned and operated by Jujamcyn Theaters (Jordan Roth, President). The seats are arrayed on a main level and two balconies. The top balcony has only two rows of seats.  Hadestown is currently running at the Walter Kerr Theatre, after opening April 17, 2019.

The Shubert family engaged Herbert J. Krapp to design their Ritz Theatre in 1921. ABC operated it as a radio and then television studio between 1943 and 1965. The Shuberts sold the theatre to John Minary in 1956, who sold it to Joseph P. Blitz later that year. In 1963, a partnership including Roger Euster acquired the property; in 1964 Euster sold his stake to Leonard B. Moore. It remained vacant from 1965 to 1971, when it reopened with the musical Soon, book by Martin Duberman, which closed after three performances. It housed several productions in the next two years and even screened adult films for a period before it became a children's theater named in honor of Robert F. Kennedy in 1973. Jujamcyn Theaters acquired the property in 1980. The last production staged at the Ritz was Chu Chem in 1989. On March 5, 1990, the theatre reopened after a $2 million restoration now renamed for theater critic Walter Kerr with August Wilson's The Piano Lesson. Since then it has housed seven winners of the Tony Award for Best Play: Angels in America: Millennium Approaches, Angels in America: Perestroika, Love! Valour! Compassion!, Proof, Take Me Out, Doubt, and Clybourne Park. It also housed two winners of the Tony Award for Best Musical: A Gentleman's Guide to Love and Murder and its current production, Hadestown.

In 2004, after the death of Jujamcyn owner James Binger, long-time producer, and Jujamcyn president Rocco Landesman announced his intention to buy the playhouses. In February 2005, the deal was completed. In 2009, a 50% stake in the organization was acquired by 33-year-old producer Jordan Roth. Later that same year, Roth took full control of the organization as Landesman took up the position as head of the NEA.

In October 2017, Bruce Springsteen, who had the highest-grossing tour in the world in 2016, took up residency at the theatre for an eight-week run, performing five times a week. The performances are a pared-down version of his set that he would normally perform in arenas and stadiums. Springsteen liked the idea of performing for more intimate crowds and the idea of performing on Broadway. Originally scheduled to run from October 12 through November 26, the show was extended three times, the last performance was December 15, 2018.

Important Info
Type: Musical
City: New York, USA
Duration: 2h 30min with 1 interval
Acts: 2
Intervals: 1

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

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